TRESPASSING is part of an ongoing series of paintings realised by painting on top of older paintings (sometimes completely uncovering them, like in this painting, which was a portrait underneath). " It would be a mistake to think that the painter works on a white and virgin surface. The entire surface is already invested virtually with all kinds of cliches, which the painter will have to break with." (Gilles Deleuze, "The Logic of Sensation", page 11) available for sale on @saatchiart
RUPTURE XIV, oil and collage on hardboard> This artwork is part of my seris of ‘Ruptures’. Bodies that could be identical with the flow of lines inscribing them. I was looking for a sort of overalness, a devisualisation of colour and de-forming of line.
Rupture XIII, acrylic and tempera on paper, 2011> "Perhaps it is enough to say (...) that loss, death and what deadens are too much with us, and that to feel the painting's impression on our skin is finally to receive the tactile at the limits of the visual - a triumph for what lives on despite the odds." @saatchiart http://www.saatchiart.com/art/Collage-Rupture-XIII/43191/2241055/view
Rupture XVI, oil and tempera on hardboard,“Perhaps it is enough to say (…) that loss, death and what deadens are too much with us, and that to feel the painting’s impression on our skin is finally to receive the tactile at the limits of the visual – a triumph for what lives on despite the odds.” (Judith Butler, Response to J.M.Bernstein, pag.62) @saatchiart
Saatchi Art: Sinking I Printmaking by Maia S Oprea