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Introducing The Revolving Room by Patricia Urquiola – a unique nstallation featuring Urquiola’s new textile collection for Kvadrat

Introducing The Revolving Room by Patricia Urquiola – a unique nstallation featuring Urquiola’s new textile collection for Kvadrat

Old is gold. One of Kvadrat's first showrooms designed in the early 70s by Nanna Ditzel in her favourite colours pink and turquoise.

Old is gold. One of Kvadrat's first showrooms designed in the early 70s by Nanna Ditzel in her favourite colours pink and turquoise.

A colourful train ride. Back in 1987 when Nanna Ditzel's Hallingdal upholstery clad the seats of DSB Danish National Railway. #nannaditzel #kvadrattextiles #heritage #archives #blue #lovecolour #design #danishdesign #kvadrat #railway

A colourful train ride. Back in 1987 when Nanna Ditzel's Hallingdal upholstery clad the seats of DSB Danish National Railway. #nannaditzel #kvadrattextiles #heritage #archives #blue #lovecolour #design #danishdesign #kvadrat #railway

If your Christmas mood is not set to 'On' just yet, let Léon van Roy's 'Oase' from 1970 take you there. In the early 1970s, the Belgian artist and illustrator was commisioned to create Kvadrat's visual identity, capturing the philosophy and spirit rather than the product itself.

If your Christmas mood is not set to 'On' just yet, let Léon van Roy's 'Oase' from 1970 take you there. In the early 1970s, the Belgian artist and illustrator was commisioned to create Kvadrat's visual identity, capturing the philosophy and spirit rather than the product itself.

Diving into the archives. The geometrical pattern of the Musala textile, by Danish painter Niels Nedergaard

Diving into the archives. The geometrical pattern of the Musala textile, by Danish painter Niels Nedergaard

Finn Sködt's murals in the atrium of the Kvadrat headquarters, Ebeltoft, 1982.

Finn Sködt's murals in the atrium of the Kvadrat headquarters, Ebeltoft, 1982.

One of Kvadrat's first showrooms designed in the early 70s by Nanna Ditzel in her favourite colours pink and turquoise.

One of Kvadrat's first showrooms designed in the early 70s by Nanna Ditzel in her favourite colours pink and turquoise.

Colour totality. Verner Panton fought the wood-toned monotones of Danish design in the 1950s and 1960s with his trippy colour environments. Here is Astoria Restaurant in Trondheim, where floor and ceiling, textiles and furniture, blend into one, creating an unreal, mood-altering space.

Colour totality. Verner Panton fought the wood-toned monotones of Danish design in the 1950s and 1960s with his trippy colour environments. Here is Astoria Restaurant in Trondheim, where floor and ceiling, textiles and furniture, blend into one, creating an unreal, mood-altering space.

Verner Panton's Restaurant Varna Aarhus, 1971

Verner Panton's Restaurant Varna Aarhus, 1971

Kvadrat headquarters, Ebeltoft, 1992

Kvadrat headquarters, Ebeltoft, 1992

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