Pinterest

Art

2,195 Pins

4h

Collection by

Similar ideas popular now

Street Art Utopia

Sound Sculpture

Concentric circles in bold gradients, spiraling lines, and bright radial motifs by Australian-Canadian artist Elspeth McLean transform stones into endlessly hypnotic designs.

Concentric circles in bold gradients, spiraling lines, and bright radial motifs by Australian-Canadian artist Elspeth McLean transform stones into endlessly hypnotic designs.

Colossal

Concentric circles in bold gradients, spiraling lines, and bright radial motifs by Australian-Canadian artist Elspeth McLean transform stones into endlessly hypnotic designs.

Concentric circles in bold gradients, spiraling lines, and bright radial motifs by Australian-Canadian artist Elspeth McLean transform stones into endlessly hypnotic designs.

Colossal

Concentric circles in bold gradients, spiraling lines, and bright radial motifs by Australian-Canadian artist Elspeth McLean transform stones into endlessly hypnotic designs.

Concentric circles in bold gradients, spiraling lines, and bright radial motifs by Australian-Canadian artist Elspeth McLean transform stones into endlessly hypnotic designs.

Colossal

The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests. A group show opening this month at Paradigm Gallery + Studio in Philadelphia references this unparalleled archive in a celebration of feathered life.

The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests. A group show opening this month at Paradigm Gallery + Studio in Philadelphia references this unparalleled archive in a celebration of feathered life.

Colossal

The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests. A group show opening this month at Paradigm Gallery + Studio in Philadelphia references this unparalleled archive in a celebration of feathered life.

The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests. A group show opening this month at Paradigm Gallery + Studio in Philadelphia references this unparalleled archive in a celebration of feathered life.

Colossal

The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests.

The Division of Birds, housed inside Chicago’s Field Museum, boasts one of the largest scientific avian collections in the country, representing about 90% of the world’s genera and species and containing more than 480,000 specimens, 21,000 egg sets, and approximately 200 nests.

Colossal

Cradled within wooden boxes, leaves, blossoms, animals, and the occasional bit of human anatomy form the dense topographies of Melis Buyruk.

Cradled within wooden boxes, leaves, blossoms, animals, and the occasional bit of human anatomy form the dense topographies of Melis Buyruk.

Colossal

As Curry sees it, her body of work to date is like that lifesaving yarn, a map of both where she’s been, where she’s going, and everything she’s learned along the way.

As Curry sees it, her body of work to date is like that lifesaving yarn, a map of both where she’s been, where she’s going, and everything she’s learned along the way.

Colossal

In some ways, Caledonia Curry’s work as a public artist has come full circle. She debuted as a New York City street artist known as Swoon right around the turn of the last century, her hand-worked portraits making striking, albeit illegal, statements on old walls. As Curry describes, she thought of herself at that time as “a democratic kind of mischievous force running through the city.”

In some ways, Caledonia Curry’s work as a public artist has come full circle. She debuted as a New York City street artist known as Swoon right around the turn of the last century, her hand-worked portraits making striking, albeit illegal, statements on old walls. As Curry describes, she thought of herself at that time as “a democratic kind of mischievous force running through the city.”

Colossal

In some ways, Caledonia Curry’s work as a public artist has come full circle. She debuted as a New York City street artist known as Swoon right around the turn of the last century, her hand-worked portraits making striking, albeit illegal, statements on old walls. As Curry describes, she thought of herself at that time as “a democratic kind of mischievous force running through the city.”

In some ways, Caledonia Curry’s work as a public artist has come full circle. She debuted as a New York City street artist known as Swoon right around the turn of the last century, her hand-worked portraits making striking, albeit illegal, statements on old walls. As Curry describes, she thought of herself at that time as “a democratic kind of mischievous force running through the city.”

Colossal

Seasons and the natural rhythms of bees determine much of Ava Roth’s practice, which hinges on collaborating with the fuzzy pollinators.

Seasons and the natural rhythms of bees determine much of Ava Roth’s practice, which hinges on collaborating with the fuzzy pollinators.

Colossal

Seasons and the natural rhythms of bees determine much of Ava Roth’s practice, which hinges on collaborating with the fuzzy pollinators.

Seasons and the natural rhythms of bees determine much of Ava Roth’s practice, which hinges on collaborating with the fuzzy pollinators.

Colossal

Seasons and the natural rhythms of bees determine much of Ava Roth’s practice, which hinges on collaborating with the fuzzy pollinators.

Seasons and the natural rhythms of bees determine much of Ava Roth’s practice, which hinges on collaborating with the fuzzy pollinators.

Colossal

In this interview, Shibuya speaks with Colossal managing editor Grace Ebert about his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.

In this interview, Shibuya speaks with Colossal managing editor Grace Ebert about his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.

Colossal

In this interview, Shibuya speaks with Colossal managing editor Grace Ebert about his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.

In this interview, Shibuya speaks with Colossal managing editor Grace Ebert about his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.

Colossal

In this interview, Shibuya speaks with Colossal managing editor Grace Ebert about his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.

In this interview, Shibuya speaks with Colossal managing editor Grace Ebert about his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.

Colossal

On view at Rise Art is a new body of work from South African artist Nelson Makamo, who continues his charismatic portraits rendered in lively, gestural lines of charcoal. Rise Art, Charcoal Portraits, South African Artists, Candid

Charcoal Portraits

South African Artists

On view at Rise Art is a new body of work from South African artist Nelson Makamo, who continues his charismatic portraits rendered in lively, gestural lines of charcoal.

Colossal

On view at Rise Art is a new body of work from South African artist Nelson Makamo, who continues his charismatic portraits rendered in lively, gestural lines of charcoal.

On view at Rise Art is a new body of work from South African artist Nelson Makamo, who continues his charismatic portraits rendered in lively, gestural lines of charcoal.

Colossal

On view at Rise Art is a new body of work from South African artist Nelson Makamo, who continues his charismatic portraits rendered in lively, gestural lines of charcoal. Pastel Portraits, Physique, Childhood, Joy, Paper

Pastel Portraits

On view at Rise Art is a new body of work from South African artist Nelson Makamo, who continues his charismatic portraits rendered in lively, gestural lines of charcoal.

Colossal

The massive compilation, titled Great Women Painters, highlights more than 300 artists across 500 years and a vast array of movements and aesthetics. Pictured: Shara Hughes, “Hard Hats” (2021) Hard Hats, The New Yorker, Art Fair, Small Flowers, Poppies, Fairy Tales, Landscape, Canvas

The massive compilation, titled Great Women Painters, highlights more than 300 artists across 500 years and a vast array of movements and aesthetics. Pictured: Shara Hughes, “Hard Hats” (2021)

Colossal

The massive compilation, titled Great Women Painters, highlights more than 300 artists across 500 years and a vast array of movements and aesthetics. Pictured: Lubaina Himid, “Le Rodeur: The Exchange” (2016)

The massive compilation, titled Great Women Painters, highlights more than 300 artists across 500 years and a vast array of movements and aesthetics. Pictured: Lubaina Himid, “Le Rodeur: The Exchange” (2016)

Colossal