GUBI I Gascoin Collection

Collection by GUBI

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GUBI presents a new dining collection by Marcel Gascoin. The new collection offers five versions of the C-Chair and two new tables: The B-Table and S-Table. Designed by the same hand, the pieces offer a coherent and responsive dining solution enabling the two tables to be mixed and matched with the C–Chair editions and the Trèfle Stool.

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S-Table
C-Chair
B-Table
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S-Table

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S-Table

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S-Table

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S-Table

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S-Table

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

GUBI presents the S-Table, originally created by Marcel Gascoin in 1951 for the living quarters of officers at the Supreme Headquarters Allied Powers Europe. The S-Table extends easily by a meter, adding an extra two place settings on either end to seat up to ten.

S-Table

GUBI presents the S-Table, originally created by Marcel Gascoin in 1951 for the living quarters of officers at the Supreme Headquarters Allied Powers Europe. The S-Table extends easily by a meter, adding an extra two place settings on either end to seat up to ten.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S-Table

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

C-Chair

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

Other Pins

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

The new Gascoin Dining Collection was originally designed by Marcel Gascoin as a respond to the changing lifestyles in post-war France. Marcel Gascoin created a new standard of useful and pragmatic furniture that were both functional and space-efficient.

Gascoin Collection

The new Gascoin Dining Collection was originally designed by Marcel Gascoin as a respond to the changing lifestyles in post-war France. Marcel Gascoin created a new standard of useful and pragmatic furniture that were both functional and space-efficient.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

GUBI presents a new dining collection by Marcel Gascoin.

Dining Collection by Marcel Gascoin

GUBI presents a new dining collection by Marcel Gascoin.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

B-Table

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.