GUBI I Gascoin Collection

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

GUBI presents the S-Table, originally created by Marcel Gascoin in 1951 for the living quarters of officers at the Supreme Headquarters Allied Powers Europe. The S-Table extends easily by a meter, adding an extra two place settings on either end to seat up to ten.

S–Table by Marcel Gascoin can extends by a meter, adding an extra two place settings on either end, meaning it can seat up to ten.The entire table, even the extending mechanism, is made from solid and veneered oak or walnut.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent not only the aesthetic and practical power of Gascoin’s designs, but also the social conscience he strongly demonstrated through the post-war years in France.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.

The B–Table is two tables in one, each with a very different aesthetic. It comprises a sturdy oak or walnut frame atop four streamlined tapering legs. A square tabletop features an additional curved section on each of its four sides.