Otto Dix: Portrait of the Dancer Anita Berber, 1925. Oil and tempera on plywood. Loan of the Landesbank Baden-Wurtemburg to the Kunstmuseum, Stuttgart.

Otto Dix: Portrait of the Dancer Anita Berber, 1925. Oil and tempera on plywood. Loan of the Landesbank Baden-Wurtemburg to the Kunstmuseum, Stuttgart.

Stormtroops advancing under a gas attack [Sturmtruppe geht unter Gas vor] : The scene is other worldly as gas clouds the atmosphere. Their features are obscured by masks and their fingers are curled like claws. These are men who will kill by any means. But are they men? Publisher: From Der Krieg; #12 National Gallery of Austrailia Canberra

Stormtroops advancing under a gas attack [Sturmtruppe geht unter Gas vor] : The scene is other worldly as gas clouds the atmosphere. Their features are obscured by masks and their fingers are curled like claws. These are men who will kill by any means. But are they men? Publisher: From Der Krieg; #12 National Gallery of Austrailia Canberra

Otto Dix: Selbstportrait  One of my favorite portraits. Procrastinating my essay on Otto Dix by pining his artwork. Well done.

Otto Dix: Selbstportrait One of my favorite portraits. Procrastinating my essay on Otto Dix by pining his artwork. Well done.

Otto Dix - Woman with Red Hair (1931)

Otto Dix - Woman with Red Hair (1931)

Invalides -Otto Dix

Invalides -Otto Dix

Otto Dix painted The Seven Deadly Sins in 1933. It is an allegorical painting that represented Germany's political situation at the time, and was painted immediately after the Nazis had Dix removed from his teaching position at the Dresden Art Academy.

Otto Dix painted The Seven Deadly Sins in 1933. It is an allegorical painting that represented Germany's political situation at the time, and was painted immediately after the Nazis had Dix removed from his teaching position at the Dresden Art Academy.

Otto Dix  Vanitas (Youth and Old Age)  1932

Otto Dix Vanitas (Youth and Old Age) 1932

Otto Dix (German 1891–1969) [Expressionism, Neue Sachlichkeit] Pragerstrasse, 1920. Staatsgalarie, Stuttgart, Germany.

Otto Dix (German 1891–1969) [Expressionism, Neue Sachlichkeit] Pragerstrasse, 1920. Staatsgalarie, Stuttgart, Germany.

Self-Portrait - Otto Dix  This is so odd, I love it. Without the flower i think he would look much more villainous.

Self-Portrait - Otto Dix This is so odd, I love it. Without the flower i think he would look much more villainous.

igor rutter weimar art | In 1920s Weimar Germany, art took on topics such as whorehouses and ...

igor rutter weimar art | In 1920s Weimar Germany, art took on topics such as whorehouses and ...

Otto Dix (German, 1891–1969) "Night over the City", 1913. Communicates a sense of doom.

Otto Dix (German, 1891–1969) "Night over the City", 1913. Communicates a sense of doom.

Otto Dix, Weimar Berlin, 1928

Otto Dix, Weimar Berlin, 1928

A mirror. Representing that I'm a product of what I am seeing and that the problem is the man in the mirror, it isn't 'out there'. Also to represent I need to face my demons, myself.

A mirror. Representing that I'm a product of what I am seeing and that the problem is the man in the mirror, it isn't 'out there'. Also to represent I need to face my demons, myself.

"The Nun" by Otto Dix in 1914, another German Expressionism artist. Known especially for his caustic portraits of postwar German society. Also focused on postwar decadence, depicting war profiteers, prostitutes, crippled veterans, and sexual violence.

"The Nun" by Otto Dix in 1914, another German Expressionism artist. Known especially for his caustic portraits of postwar German society. Also focused on postwar decadence, depicting war profiteers, prostitutes, crippled veterans, and sexual violence.

Otto Dix, Gera, Germany (1891-1969). German painter and printmaker. New Objectivity (Neue Sachlichkeit). "Fritz Perls".

Otto Dix, Gera, Germany (1891-1969). German painter and printmaker. New Objectivity (Neue Sachlichkeit). "Fritz Perls".

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